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The
primary purpose of schools of art and design is to help
individual students turn talent, inspiration, creativity,
and dedication into significant potential for service to
the development of art and design culture in its multiple
dimensions. Therefore, the focus of NASAD's work (the National
Association of Schools or Art and Design) is on issues of
art and design content and educational substance as applied
to the preparation of art and design professionals.
Acceptance to an undergraduate program in art
or design is based on many considerations. These vary widely
among institutions. For example, some have stringent requirements
prior to admission while others have open admission policies
followed by thorough examinations at some point in the program
to determine whether the student may continue as an art/design
major. The suggestions below indicate how you can best prepare
during the high school years, not what you must achieve
to apply or be accepted. The advice provided describes two
things: first, an ideal set of knowledge and skills goals
for college-level applicants; second, competencies needed
by artists, designers, scholars, and teachers as they practice
the various aspects of the profession in college and beyond.
In brief, you should learn as much as you can as early as
you can.
Take responsibility for your own development.
Each art/design student has a unique set of
talents, aspirations, and abilities. Although you are in
school and probably studying in your community or with a
private teacher, it is important to take increasing responsibility
for developing your particular abilities toward your specific
goals. Begin by obtaining the admission requirements of
schools you may wish to attend-the earlier, the better.
Ultimately, you are responsible for choices about how you
use your time to prepare for your future. For most art/design
professionals, that future involves art/design at the center
supported by many other capabilities.
Draw 'til you drop.
Take every opportunity to train your eye by
taking courses or studies in drawing. Developing the eye
is a lifetime job. The earlier work is started, the better.
Practice, practice, practice.
Whatever you do or intend to do in art/design, try to practice
it as much as possible. This applies not only to your studio
area, but also to other types of work. For example, prospective
teachers should try to observe and gain teaching experiences
under appropriate supervision, those interested in art/design
scholarship or criticism should practice writing and speaking
on art/design topics. No level of knowledge or skill that
you can attain will be too high.
See as much art and design
as you can.
Try to see as much art/design from as many historical periods
and cultural sources as possible. Ask your teachers or local
art/design professionals for recommendations. Try to make
sure that you have seen the major works of all types in
the particular area of art/design that interests you. Seek
more to learn the breadth and depth of the visual world
than to enjoy what is already familiar. Whenever possible,
see original works. Observe the visual design of the world
around you-architecture, product design, fashion design,
for example-and spend lots of time with visual media such
as books, magazines, films, videos, the Internet, etc.
Get a sense of art/design
history.
Take opportunities to learn the basics of art/design history.
Work with your art teachers, enroll in an AP art history
course if it is available in your high school, take classes
at your community museum or art school, and otherwise explore
opportunities to gain initial acquaintance with this material.
Become a fluent, effective
English speaker and writer.
As an artist/designer, you will communicate in art/design,
but you will also rely heavily on your ability to communicate
in words. Everything from teaching, to writing grant proposals,
to negotiating, to promoting your interests, to working
on teams relies on fluent English skills. Focus attention
on learning to speak and write effectively.
Get a comprehensive high
school education.
Art and design both influence and are influenced by other
fields of study: the humanities, mathematics, the sciences,
the social sciences, and the other arts-architecture, dance,
film, literature, music, and theatre. For entrance into
college-level study, you are encouraged to gain a basic
overview of ancient and modern history, the basic thought
processes and procedures of math and science, and familiarity
with works in as many of the other arts disciplines as possible.
Many professionals who work with art comprehensively develop
a particular sensibility about connections with history
and the other arts. Understanding the basics of math and
the sciences supports future work in many design areas.
Social studies are related to understanding the context
for various art and design endeavors.
Think of everything you
study as helping you become a better art/design student.
As we have said, the best art/design professionals continue
to learn throughout their lives. They are always studying
and thinking, always connecting what they know about art/design
with their knowledge of other fields. Since you never know
the direction your career will take, it is wise to spend
your high school years gaining the basic ability to understand
and work in a variety of fields. Keep art/design at the
center of your efforts, but accept and enjoy the challenge
of gaining the kind of knowledge and skills in other areas
that will support both formal studies at the college level
and your art/design career beyond.
For more information
contact the National Association of Schools of art
and Design by logging onto their website: www.arts-accredit.org
or E-mail: infor@arts-accredit.org
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